The TLM 67 captures the spirit of Neumann’s classic U 67, which defined the sound of the 1960s. Instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone. Like its predecessor, the TLM 67 is a versatile studio workhorse with three polar patterns, pad and low cut options.

Instead of the U 67’s tube electronics, the TLM 67 has a transformerless head amplifier, built with highly reliable 21st century solid state technology – yet with a retro twist! The TLM 67’s circuit may be modern, but it meticulously reproduces the sound of the 1960s. This results in a seemingly low max SPL figure of 105 dB (in cardioid mode) for 0.5% THD, but, like in a tube circuit, distortion rises gently to 5% THD for 125 dB SPL. The TLM 67 thus captures the sound character and dynamic behavior of its famous predecessor without the use of tubes and without the inconvenience of a clunky PSU box and multipin cables.

The TLM 67 is a universal studio microphone with three directional patterns – omni, cardioid, and figure-8 – as well as low cut and pad options. A true workhorse! Its unique tube-like midrange character makes the TLM 67 is an excellent microphone for vocals and spoken word. Thanks to its essentially linear frequency response, it is also a versatile microphone for a wide rage of instruments, such as acoustic and electric guitar, piano, percussion, drums overheads, and much more.