European repress. Every song is a total raw-assed blast, full of hot fuzz and ultra-reverbed chords, as well as minimalist drumming recorded so up front & alive you’ll swear that Nick Knox was an understated genius (as I do). The lineup includes what are arguably their best set of tunes not called “Human Fly” or “The Way I Walk”; they are: Teenage Werewolf/Jungle Hop/Mad Daddy/Rockin' Bones/What's Behind The Mask/Sunglasses After Dark/All Tore Up (also known as “I Can’t Hardly Stand It”)/Twist And Shout (essentially what later became “Drug Train”, but with totally different lyrics)/Uranium Rock/Subwire Desire (this was on the “Psychedelic Jungle” LP as “Under The Wires”)/Mystery Plane/T.V. Set. Everything that was great about 1950s rockabilly was vacuumed up and then owned by The Cramps, and they happened to infuse what was already a wild form with a simultaneous punk rock abandon and a sense of detached cool that made for a pretty goddamn compelling package.