Hardcover | 24.13 x 2.03 x 28.58 cm | 144 pp

Lund Humphries | 2018 | 9781848222632

This book presents a comprehensive view of the work of American painter Philip Taaffe (b.1955), who has expanded the parameters of painting through his use of silkscreen, linocuts, collage, stencils, gouache, chine-collé, marbling, acrylic, enamel, watercolour and gold leaf. Possessing many technical skills, Taaffe has moved decisively between unique pictorial inventions and appropriations, as well as overlaying divergent modes of representation, through cultural patterns found in ornament, and biomorphic abstraction.

John Yau's insightful text is the first to look at every part of Taaffe's artistic development, from the works he made at Cooper Union while a student of Hans Haacke, to the present. It pays special attention to Taaffe's acquisition of different techniques, as well as investigating his various sources of inspiration, which include the work of experimental filmmakers Stan Brakhage, Bruce Conner and Harry Smith, the Natural History illustrations of Ernst Haeckel, and the ancient art of paper marbling.

Contemporary Painters series
The Contemporary Painters Series is a curated series of accessible, authoritative and highly illustrated monographs on the world's leading living painters, which locates painting as a vibrant and vital part of contemporary art.

The series is edited by American art critic Barry Schwabsky, supported by an international advisory board with a specialist interest in contemporary painting. It aims to redefine 'painting' in the contemporary context as work which is done within the conventions and history of painting, but which may incorporate other materials or techniques.

'I have the proud feeling that this is indeed a compact library of painting in our time, something that will stand as a record of this period.’ Barry Schwabsky, Series Editor