On their sixth long player The Breaks – their second for Joyful Noise Records – SUUNS find themselves lost in limbo. The trio of Ben Shemie, Joseph Yarmush and Liam O’ Neill leans more zealously than ever into their pop instincts. Yet remarkably enough, with that same dauntless abandon, SUUNS have mined a more extreme sonic palette this time around, one that stretches far beyond their core fundamentals as a band The Breaks finds Shemie, O’Neill and Yarmush gleefully experimenting with loops, synths, samples and MIDI instruments like a post-millennial Tangerine Dream messing with downtempo triphop beats. Forged between countless plane rides, road trips, van tours and text threads, The Breaks became a product of endurance and a lot of trial-and-error. It’s a record composed in tight fissions of freedom, where spells of whispered intimacy – like on the stunning ballad “Doreen” – are allowed to branch out into the vast glacial dreamscapes of the album’s majestic title track. It captures SUUNS at their most panoramic, curious and exuberant: a constant relay of being adrift and enlightened anew, geared up to eleven. And guess what: the wheels keep on spinning.